Age, Biography and Wiki

Natalie Merchant was born on 26 October, 1963 in Jamestown, New York, United States. Discover Natalie Merchant's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is She in this year and how She spends money? Also learn how She earned most of networth at the age of 60 years old?

We recommend you to check the complete list of Famous People born on 26 October. She is a member of famous with the age 60 years old group.

Natalie Merchant Height, Weight & Measurements

At 60 years old, Natalie Merchant height not available right now. We will update Natalie Merchant's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Dating & Relationship status

She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.

Natalie Merchant Net Worth

Her net worth has been growing significantly in 2022-2023. So, how much is Natalie Merchant worth at the age of 60 years old? Natalie Merchant’s income source is mostly from being a successful . She is from United States. We have estimated Natalie Merchant's net worth , money, salary, income, and assets.

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Timeline

In 2017, Merchant released "Butterfly," a collection of new songs and orchestral versions of previously recorded songs.

Merchant, an outspoken critic of President-elect Trump, participated in an anti-Trump protest organized by Mark Ruffalo and Michael Moore, held outside Trump International Hotel and Tower in New York City on January 19, 2017. Merchant performed her single "Motherland". She concluded the event with a group sing-a-long of Woody Guthrie's "This Land is Your Land". The event was covered by CNN and broadcast live.

In 2015, Merchant released an album of new recordings of the songs from her multi-platinum solo album. She enhanced many of the tracks with strings and stripped others bare. She says, "The distance this music traveled once it left my hands is humbling, and I am moved by how many lives it has touched along the way."

While Ophelia is not a concept record in the traditional sense, the name of the album and the title track are a literary reference to Shakespeare's Ophelia. In the play Hamlet, Ophelia becomes mad and eventually commits suicide when Hamlet remains noncommittal and lost in himself. Merchant's Ophelia describes a series of women throughout time—women who dared question the patriarchal status quo and who were often castigated for doing so—and is a cry for women's rights and for more understanding of female archetypes beyond the scope of the "mother" and the "whore", both of which severely limit women and attempt to turn them into little more than chattel. The portrayal of the women in the song is a tribute to the non-traditional "too smart for her own good" type of woman who is often misunderstood by society. As a lyric to the title song cries: "Your common sense, your best defense, was wasted and in vain!" A reflection of women driven mad by social limitations, Natalie's tribute described Ophelia as being at once a "novice carmelite", a "suffragette", a "circus queen", a "demigoddess" and a "mafia courtesan". On the album sleeve, Merchant is pictured in colorful and ornate costumes as each of these different characters. As a companion to the album, she also released a film where she portrays each of these different characters, with voice-overs used for the "novice carmelite", the "sweetheart" and the "courtesan" as they are Spanish, German, and Italian, respectively.

In February 2014, Merchant announced her eponymous album. The album consists of new works. It is her first collection of original material since 2001's Motherland. Natalie Merchant was released May 6, 2014, on Nonesuch Records and was named Album of the Week by The Daily Telegraph. The album debuted at #20 on Billboard' s Top 200 albums and #2 on Billboard' s Folk Albums charts for the week of May 24, 2014. She toured from July 3, 2014, kicking off in Kingston, New York, concluding at the Pabst Theater in Milwaukee on July 25, 2014.

The '60s aesthetic has never really appealed to me, the tie-dyed Deadhead running barefoot through the forest on LSD. I don't think that's really me. But I've been a vegetarian for 17 years, and I consider myself an environmentalist in as much as I can be, considering the job that I have. I prefer living in the countryside rather than the city—I find it more sane and sustaining for myself.

In 2012, Merchant, along with actor and writer Mark Ruffalo, organized a concert to protest oil and gas fracking in New York state. A documentary, written and directed by Jon Bowermaster, was made of the event and titled Dear Governor Cuomo. She directed a short 2013 documentary titled Shelter: A Concert Film to Benefit Victims of Domestic Violence, that shone light on a group of women living in the mid-Hudson region of New York State responding to the crisis of domestic violence in their community with compassion and creativity. It was inspired by an event for One Billion Rising, a global campaign calling for an end to violence against women, held on February 14, 2013. Merchant presented a screening of the film at the Old Dutch Church in Kingston, New York, on the day of One Billion Rising for Justice.

Merchant contributed a cover of Buddy Holly's "Learning the Game" to the tribute album Listen to Me: Buddy Holly, released September 6, 2011.

In October 2009, the websites of Nonesuch Records and Natalie Merchant announced that she had signed with the label. Leave Your Sleep was released on April 13, 2010 and is a compilation of five years of inspiration from a "conversation" with her daughter over the "first 6 years of her life". The album debuted on the Billboard Top 200 at No. 17, Billboard Folk Albums at No. 1, Amazon.com at No.1, and iTunes, No. 3. The album was co-produced by Andres Levin.

In 2003, Merchant married Daniel de la Calle and had a daughter named Lucia. In an interview in 2012, she indicated that she was divorced.

After her contract with Elektra expired in August 2002, Merchant decided not to sign with them again, or any other major label. Her next studio album, The House Carpenter's Daughter, was released in September 2003 on her own label, Myth America Records. To date this has been the only release on Myth America.

Merchant's next studio album on the Elektra label was Motherland, released in 2001. Motherland saw Merchant at her most experimental musically. Motherland achieved Gold on the Billboard charts after debuting at No. 30 on the Billboard 200 and No. 13 on the Top Internet Albums of 2001, respectively. Rolling Stone favored this album with 3½ stars, and also noticed a difference in Merchant's voice, which was more deep and gritty like that of Sade than her previous albums. Singles that were released from Motherland were "Just Can't Last", "Build a Levee" and "Tell Yourself".

Merchant embarked on a year and a half world tour to promote Motherland. The first leg of the tour started in Minneapolis, Minnesota on October 17, 2001, with performances across the United States, and heading to Europe with some special acoustic shows in Europe. Merchant also participated in the Rock am Ring Festival and Rock im Park in 2002. In the summer of 2002, she was paired with Chris Isaak and played at stadiums and arenas.

Seeking creative control, Merchant chose to fund the album herself, refusing the advance from the record company. She also wanted to work with a core group of young musicians whom she felt would be enthusiastic about the music. The group would consist of guitarist Jennifer Turner, bassist Barrie Maguire, and former-Wallflower and eventual boyfriend to Merchant, Peter Yanowitz, who played drums on the album, and who continued to do so with the singer until their abrupt split in 2000.

In 2000, Merchant embarked on a folk tour in the United States with many shows being supported by alt-country band Wilco.

The Ophelia tour ended in 1999 with the final few shows being performed and recorded on Broadway. The performance would be released as the album Natalie Merchant: Live in Concert with a companion video of the same name. The performance was notable in that it featured numerous covers including songs by David Bowie, Neil Young, and Katell Keineg.

The first single off the album was a happy and uncharacteristically simple song called "Kind and Generous", which received massive airplay on VH1 and which solidified Merchant's role as a bona fide solo artist. That summer, Sarah McLachlan invited Merchant to co-headline the year's biggest music festival with her, Lilith Fair. The exposure from the tour helped the album reach Platinum status in just under a year, with subsequent singles "Break Your Heart" and "Life Is Sweet" receiving moderate airplay on adult contemporary stations. No video was filmed for the latter, however, with a clip from Merchant's appearance on VH1 Storytellers being used instead. She would also go on to appear on PBS' Sessions at West 54th and VH1's Hard Rock Live before the year's end. In 1998, Merchant also recorded George Gershwin's "But Not for Me" for the Red Hot Organization's compilation album Red Hot + Rhapsody, a tribute to George Gershwin, which raised money for various charities devoted to increasing AIDS awareness and fighting the disease.

In 1998, Merchant collaborated on the making of the Woody Guthrie tribute album Mermaid Avenue with Billy Bragg and Wilco, that also featured previously unreleased Guthrie material. She provided vocals for the song "Birds and Ships", and later showed up on the second volume of the album in year 2000, Mermaid Avenue Vol. II, with vocals on the song "I Was Born".

After her split with 10,000 Maniacs, Merchant was so eager to begin writing her own material that she went home that very day and composed the song "I May Know the Word", which was originally meant to appear on the soundtrack to the Tom Hanks movie Philadelphia. The song was eventually cut from the soundtrack, but it would go on to appear on Merchant's debut solo album, Tigerlily, which was released on the Elektra label in 1995. Merchant chose to name the album that as she felt it captured the album's feel, which she described as both "fierce" and "delicate".

When Merchant was a child, her mother listened to music (primarily Petula Clark but also the Beatles, Al Green, Aretha Franklin) and encouraged her children to study music, but would not allow TV after Natalie was 12. "I was taken to the symphony a lot because my mother loved classical music. But I was dragged to see Styx when I was 12. We had to drive 100 miles to Buffalo, New York. Someone threw up next to me and people were smoking pot. It was terrifying. I remember Styx had a white piano which rose out of the stage. It was awe-inspiring and inspirational." "She [her mother] had show tunes, she had the soundtrack from West Side Story and South Pacific. And then eventually... she'd always liked classical music and then she married a jazz musician, so that's the kind of music I was into. I never really had friends who sat around and listened to the stereo and said 'hey, listen to this one', so I'd never even heard of who Bob Dylan was until I was 18." Merchant says she did not have a TV between 1988 and 1989: "I grew up in a house where no one watched the news on television and no one read the paper. I've been discovering these things as I get older, and the news has affected me more than it ever has before."

Merchant met Michael Stipe of the band R.E.M. in 1983. The two became close friends and eventually had a romantic relationship. The two credit each other as inspirations for some of their songwriting. In an interview with The Independent, Stipe said "Natalie was really the reason my work became politicised in the late Eighties."

Merchant started working in a health food store at 16. She considered a career in special education after taking part in a summer program for disabled children, but in 1981 she started singing for a band, Still Life, that became 10,000 Maniacs.

Merchant was lead singer and primary lyricist for 10,000 Maniacs, joining in its infancy in 1981 while she was a student at Jamestown Community College. The group recorded their album Human Conflict Number Five, and recorded a corresponding music video at the Hotel Franklin and at Group W Westinghouse studios in Jamestown, New York, in 1982. Merchant sang lead vocals, and later played the piano as well on seven studio albums with 10,000 Maniacs. In 1993 she announced that she was leaving the group. Her last recording with the band, a cover of Bruce Springsteen's and Patti Smith's "Because the Night" at the 10,000 Maniacs MTV Unplugged performance, reached #11 in the singles chart, becoming the band's highest-charting song in the U.S.

She has been a vegetarian since 1980, except for the duration of her pregnancy when she temporarily resumed eating meat. In 1997, she said:

Natalie Anne Merchant (born October 26, 1963) is an American alternative rock singer-songwriter. She joined the folk rock band 10,000 Maniacs in 1981, and was lead vocalist and primary lyricist for the group. She remained with the group for their first seven albums and left it to begin her solo career in 1993. She has since released seven studio albums.

Natalie Merchant was born October 26, 1963, in Jamestown, New York, United States, the third of four children of Anthony and Anne Merchant. Her paternal grandfather, who played the accordion, mandolin and guitar, emigrated to the United States from Sicily; his surname was "Mercante" before it was Anglicized.